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![]() Efek makna yang ditimbulkan dari penggunaan gaya bahasa tersebut menunjukan eksplorasi atas ajaran sufistik meliputi takhalli, tahalli, tajalli, ma’rifat, maqam jama’ dan farq, serta pendidikan akhlak tasawuf. Pada level imagery, al-Qushyari banyak menggunakan pola-pola isti’arah, tashbih, kinayah, saja’, iqtibas, dan tauriyyah. Pada tataran sintaksis terdapat pola-pola kalimat yang tak lazim seperti taqdim ma haqqahu al-ta’khir, dan tingginya intensitas penggunaan ma mausul sebagai khabar. Kreatifitas gaya bahasa pada konstruksi level morfologi ditampilkan melalui pemilihan kata yang khas, pemilihan bentuk kata melalui wazan-wazan tertentu, dan perpindahan dari satu bentuk kata ke bentuk lain. Gaya bahasa al-Qushyari secara umum ditampilkan dengan mentransformasikan istilah nah}wu ke dalam bingkai sufistik. Penelitian ini membuktikan bahwa bentuk-bentuk gaya bahasa yang digunakan al-Qushayri dalam mengkonstruksi Nahw al-Qulub bervariasi dan penuh kreatifitas. 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On one thing, I would like to really applaud this Mahabharata team is that they even after 2 decades of gap (since the 1st mahabharat was telecasted) haven't diluted the aspect of culture, ethics and practices of Indian tradition which shall have some positive influence on our present day youngsters. Alongwith that the teachings of Lord Krishna in between the episodes are truly full of wisdom and knowledge for the current generation of young Indians who are torn between the worlds of modernity and traditions. However the actor playing Bheeshm and Lord Krishna are outstanding. As yet of now everyone is acting superbly. I personally like Rajyabhisekh Mantra, Karna's Theme, Parshuram's Theme ,Bheshma's Theme and above all Krishna's amazing flute music. ![]() Moreover the Sets can rival that of Hollywood production while the background score of Ajay-Atul is enigmatic and the hallmark of this series. 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